In early August I
attended the 7th International Conference on the Inclusive Museum
in LA. The Inclusive Museum Knowledge Community facilitates the annual
conference as well as drawing together a community of those who are passionate
about ensuring public museums are engaging and accessible civic spaces for all
people irrespective of their backgrounds. All conference delegates are admitted
as members of the Community providing opportunities to publish in the peer
reviewed journal or book series. This year’s conference was hosted by the Autry
National Center of the American West, and has a distinctly interdisciplinary
focus bringing together a diversity of scholars, researchers and practitioners
to discuss challenges, new initiatives, and most importantly and more
specifically how museums are addressing relevance in the their respective
communities. Papers were presented under the themes of ‘Visitors’,
‘Collections’, and ‘Representations’. The paper I presented was titled
“Performing the DIY Museum: Shirting the Frame of Conception, Production and
Representation” and broadly spoke to Eilean Hooper-Greenhill’s notion that "the
museum in the future may be imagined as a process or an experience. It is
however, not limited to its own walls, but moves a set of process into the
spaces, the concerns and the ambitions of communities."
A few
of the many highlights of the conference for me included plenary speaker
Charmaine Jefferson’s address reflecting on her significant experience in the
sector including recently concluding 11 years as the Executive Director of the
California African American Museum to issue a challenge to the sector to
discard preconceptions about what a museum should be and do and focus on what
museums need to be and do in the here and now. The Natural History Museum tour
was particular enhanced for me by the evident passion and drive of its staff
who have developed a number of initiatives that reach out into their community
including for example Zombee Watch. This project is a partnership
between the Museum and the San Francisco State University’s Department of
Biology to discover more about zombie fly parasitized honey bees. Participants
can become ZomBee hunters in order to contribute to research and to this end
the Museum website provides instruction on, for example, safe handling of bees,
the construction of a light trap and how to collect, store and share the
collected information with the Museum. There were numerous paper presentations
I found inspirational which will continue to inform the development of my own
research. I am grateful for the support of the Southern Institute of Technology
in attending the Inclusive Museum conference.
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